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Well it good that you like Mingus and I know you don't want to hear this but I truly believe it cleanses the palette after listening to a lot of hard, aggressive stuff.
It's not just punk rock, I like action movies but I can't watch them every time, some times I have to throw on a Pixar film, they do great work and it always brings a tear to my eye. Cleanses the palette, cleanses the soul.
Me Myself an Eye
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Yes, it's me who is not so into jazz or rap. Jazz is something I could potentially get into if I explored, but rap is something I mostly dislike. I mostly cannot relate to rap music, it talks about a lifestyle and culture I have no interest in. Music is important to me, but I have to feel something from it or it has to talk to me in some way. Most of the music I listen to falls into folk, pop, rock, alternative, neo classical, electronic, baroque/chamber categories, but I am very picky about which artists I think are speaking to me. I'm a bit odd, I am an outsider, I don't really fit in anywhere and so I enjoy artists who can mirror those feelings in me. I cannot articulate those feelings through beautiful music, so I turn to the artists that can. That's why I am really into a band like Grandaddy. The music is pretty and melodic and juxtaposes that dichotomy between nature and technology. Jason Lytle has fused his influences, but also managed to create his own musical vocabulary with the sonic landscapes and antiquated compter sounds he creates. When he writes a song about a robot that has become outdated and unused, drinks itself to death, and then finally fizzles and pops. Well, I find that very emotional and when you have the music completmenting that lyrical premise in such a pretty way you are only ever going to find a fan in me. There are lots of quirky and also epic songs, that just pull you right in and you have to become a fan. More people should know about Grandaddy.
Jimi Hendrix
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Actually, I forgot about Motown which I really enjoy a lot of. A lot of those classic Motown tracks are just really well constructed, melodic pop songs, so I naturally gravitate towards that. I also like a lot of those Diana Ross solo ballads, I can dig that stuff.
James Jamerson played bass on virtually every Motown record of the 60s and 70s I hear, with his classic '62 Fender precision
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