Re: Starting again after 2 years away from boxing
Welcome back boyla, I haven't seen you around in almost a year.
In regarding to putting your footwork and punches together you obviously need balance. This brings me to the reason why you shouldn't move your front foot forward first. There's a lot of problems that this can bring. As Adam has said you can't throw properly while you're moving your front foot forward, at least not without commiting to the punch, ala Dempsey's drop-step. While your front foot is up in the air a quick counterpuncher can hit you without fear of being countered.
The other problem is that your back foot has to play catch up to get balanced enough to move and hit. If you find yourself in a position where you can't bring your back foot forward, you'll have the tendency to reach to land your punches. Reaching puts you off balance, easy to get countered and hard to counter, throw combinations and move. It's worst if you find yourself to put more of your weight on your front leg just for the sake of reaching him, which would also make it so you'd be eating the full power of your opponent's punches.
I find it better to move the back foot first, or both feet at the same time. This is to keep my feet at about shoulders width. This is better for balance, and in turn allows me to become quick on my feet which feeds into my punches. Scrap has a couple good posts on this, it just takes some getting used to.
There's a good post by greynotsoold in the Useful/Important posts section titled, Coordination of Hands and Feet. Check it out, it has just the kind of drills that you're looking for.
Also when you're working the bag you should begin to incorporate your footwork. There's a few things that you gotta keep some things in mind. You don't want to become complacent so you have to treat the bag like an opponent. This means circling left away from their right hand, retreating to the safest angle. Even when it comes to offense you should be moving with the bag, shifting with your opponent, controlling the range, and moving forward when you need to press your attack. Once you got the basics down it's a good idea to get the bag swinging with a little push so that you can work on some of the things that I have meantioned.
This is what I posted a while back, I thought you might like to read it:
"This is what Joe Louis advised about hitting the heavy bag:
"After learning how to hit the bag while it is stationary, try giving it a slight push to start it slowly swinging. Then when it has started to swing away, hook sharply with the left or right in the direction of the swing of the bag. This is good practice as it accustoms you to hitting the side of an opponent who turns from a blow.
The heavy bag is also used to develop rapid hitting to the body which is called in-fighting. Crouch slightly forward with both feet in line together, and bring both hands upward in sharp, short blows to the bag. Treat the bag as you would your opponent. If the bag gives way, assume your opponent is retreating from your attack, step closer and continue punching away with both hands. Then assume that your opponent is holding, back away but quickly return to the attack with both hands. This will help you get more power behind your blows and teach you to stay in close, so that your opponent's blows are robbed of their force.
Punching the heavy bag should be timed into rounds, three minutes punching with one minute of rest in between.
Sessions with the bag help tune up your footwork, too. The bag keeps you shifting your weight around a good deal like you must when facing an opponent in the ring."
I agree with Louis on this. This allows you to deal with a deal with an on-coming or moving force as opposed to simply a stationary target.
So in general you'd want the back to swing a little when you hit it; This allows you to react to the bag, changing angles, shifting your weight, moving, and fighting in close.
Hitting a stationary bag has its own merits as well, as it allows you to work on particular things."
If you hear a voice within you saying that I am not a painter, then by all means paint and that voice will be silenced.
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